The editors at Paperbark asked if I would be interested in submitting a piece of visual scholarship to their upcoming issue on Resilience. I jumped at the chance to publish creative work in a literary magazine venue. The Resilience issue came out in hard copy …
Month: December 2019
My friend and colleague, Professor Ian Barron, director of the UMass Center for International Education, was kind enough to express interest in my research and its implications for comparative international work. As an arts-based researcher and cartoonist, I have used methods in childhood in the …
I know we are all tired of the same old clunky academic conference poster, but folks are often unsure of where and how to break the rules and if it is even possible to do something different with the “Poster Presentation” genre. Instead of using the “poster presentation” genre as a vehicle for bold, visual experiences, it has become an exercise in stapling one’s paper to a wall. Squinting into a sea of 8 point font, viewers lament how the entire event probably could have been an email. NO LONGER! Come to this workshop to learn how to make the MOST out of the poster presentation, how to take it beyond the “formula” and into something interactive, dynamic, and aesthetically adventurous. We will apply the principles of the guerrilla arts to rethink how we communicate both visually and politically. Why do the same old thing?
REGISTER HERE: https://tinyurl.com/posterworkshop-educ
THIS EVENT IS FREE AND OPEN TO EVERYONE!
But wait– what’s Guerrilla Art?
Keri Smith, Guerrilla Artist Extraordinaire writes,
“Guerilla art is a fun and insidious way of sharing your vision with the world. It is a method of art making which entails leaving anonymous art pieces in public places. It can be done for a variety of reasons, to make a statement, to share your ideas, to send out good karma, or just for fun. My current fascination with it stems from a belief in the importance of making art without attachment to the outcome. To do something that has nothing to do with making money, or listening to the ego.
My first experience with being a guerilla artist was in my first year of art school in a class taught by conceptual artist Shirley Yanover. One of our assignments was to create some form of graffiti in a public place (we were allowed to choose the were and how). We went out in groups of four, (two lookouts, and two painters), and proceeded to make our mark on various blank walls across the city. The experience made me terrified and exhilarated at the same time. I wrote quotes from various authors along the bottoms of buildings, on phone booths, and on the sidewalks. I remember the feeling of daring as we sprinted away from unsuspecting police officers.
Now I am not necessarily advocating that you do anything illegal or potentially life threatening. But there is something wonderfully sneaky about leaving some form of art in public places. I like knowing that at some point in time someone might receive a little surprise in the form of a random message from a stranger, or a doodle in an unexpected place. I remember there used to be an artist in Toronto who would bolt text books and old phone books to various things. It became a personal quest of mine to find them all, and I always felt so excited when a new one showed up just under my nose. Experiment with your own ideas.”